The Sister Chapel

The Sister Chapel

November 27, 2017 (All Day)
Location: 
Westby Hall
Rowan University Art Gallery West
Open to the Public
$0.00
(845) 256-4521
Audience: 
Open to all
Recurring Event:
December 4, 2017 (All Day)
December 11, 2017 (All Day)
December 18, 2017 (All Day)

THE SISTER CHAPEL

An Essential Feminist Collaboration

Rowan gallery creates historic restaging of renowned 1970s exhibition.

The Sister Chapel, is an historic collaborative installation created at the height of the women’s art movement. It includes the work of Alice Neel, June Blum, Betty Holliday, Shirley Gorelick, May Stevens, Elsa M. Goldsmith, Sylvia Sleigh, Cynthia Mailman, Diana Kurz, Martha Edelheit, Sharon Wybrants, Maureen Connor, and Ilise Greenstein.

To house the monumental figure paintings that comprise The Sister Chapel, Maureen Connor designed a twelve-sided fabric structure that was never constructed. To commemorate the return of this historic collaboration, an enclosure based on Connor’s original design has been fabricated so that, for the first time in its history, The Sister Chapel is exhibited as its creators intended.

Conceived by Ilise Greenstein in 1974 and first exhibited in 1978, The Sister Chapel embraced the cooperative spirit of the women’s art movement. Using a nominal pun on Michelangelo’s famous Sistine Chapel ceiling, Greenstein issued a feminist challenge to the patriarchal conceptualization of history. In contrast to her male predecessor, she envisioned a nonhierarchical, secular commemoration of female role models from a female perspective; thus, The Sister Chapel invited viewers to reconsider familiar and often unconscious presumptions about gender roles and women’s achievements.


Between 1974 and 1977, twelve other women whose individual contributions shaped the character and appearance of The Sister Chapel joined Greenstein. In its final form, the installation consisted of Greenstein’s eighteen-foot abstract ceiling suspended above a circular arrangement of eleven nine-foot canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings form a visually cohesive group without diminishing the individuality of the artists.
 

The Sister Chapel features contemporary and historical women, deities, and conceptual figures, including Bella Abzug—the Candidate, a portrait of the American Congresswoman and social reformer, painted by Alice Neel; Betty Friedan as the Prophet, a portrayal of the influential author of The Feminine Mystique, by June Blum; Marianne Moore, the American poet, by Betty Holliday; Frida Kahlo, the celebrated Mexican artist, by Shirley Gorelick; Artemisia Gentileschi, the seventeenth-century Italian Baroque artist, by May Stevens; Joan of Arc, the sainted fifteenth-century French military heroine, by Elsa M. Goldsmith; Lilith, the rebellious first wife of Adam, by Sylvia Sleigh; God, a female manifestation of the supreme creator, by Cynthia Mailman; Durga, the powerful Hindu goddess, by Diana Kurz; Womanhero, a conceptual embodiment of female strength and power, by Martha Edelheit; and Self-Portrait as Superwoman (Woman as Culture Hero) by Sharon Wybrants.

Rowan University Art Gallery West is located in Westby Hall.Admission to the gallery is free and open to the public. Regular gallery hours are Monday–Thursday, 12 –4 p.m.